![]() In addition to the anthem, there is also entrance music, which contains parts of the anthem itself, which is played as teams enter the field. The complete anthem is about three minutes long, and has two short verses and the chorus. The 2022 final similarly used a standard pre-recorded version of the anthem. In the 20 finals, held in Kyiv and Madrid respectively, the instrumental version of the chorus was played, by 2Cellos (2018) and Asturia Girls (2019), while the 20 finals used the pre-recorded anthem's chorus instead, without any live performances due to the COVID-19 pandemic. In the 2013 final at Wembley Stadium, the chorus was played twice. These versions were performed by Andrea Bocelli (Italian) ( Rome 2009, Milan 2016 and Cardiff 2017), Juan Diego Flórez (Spanish) ( Madrid 2010), All Angels ( Wembley 2011), Jonas Kaufmann and David Garrett ( Munich 2012), Mariza ( Lisbon 2014, unlike the previous final performers, Mariza sang the main lyric of the anthem), and Nina Maria Fischer and Manuel Gomez Ruiz ( Berlin 2015). Special vocal versions have been performed live at the Champions League Final with lyrics in other languages, changing over to the host country's language for the chorus. The anthem's chorus is played before each UEFA Champions League game as the two teams are lined up, as well as at the beginning and end of television broadcasts of the matches, and when the winning team lifted the trophy after the final. The Champions League anthem is played inside the stadium as the two teams are lined up before the start of each match Music and colours merge together as one dense signifier, communicating a concept of silver in both sound and vision. ![]() It is interesting that the anthem is orchestrated so that the most prominent instruments at this climax are horns they communicate a shining metallic sound which musically reflects the trophy itself. It is notable here that the anthem is associated with the (silver) cup itself because, in the introductory sequences, the music reaches its climax just as the footage of the Cup being lifted at the end of the previous year's competition is shown. The baroque music also interconnects with the silver house colours, for the aristocratic connotations evoked by the silver are reflected and affirmed in this noble music. The baroque music of the Zadok anthem associates the Champions League with the monarchies of Ancien Regime Europe. The majestic music which rises to an impressive major key crescendo signifies the installation of a new head of state. The chorus is in UEFA's three official languages: English, French, and German. Britten also mentioned that he does not own the rights to the anthem, which are retained by UEFA, but he receives royalties when it is used.įor the recording used in television transmissions of UEFA Champions League matches and events, the piece was performed by London's Royal Philharmonic Orchestra and sung by the Academy of St Martin in the Fields Chorus. It has a kind of Handelian feel to it but I like to think it's not a total rip-off." The composing process took "just a matter of days". There's a rising string phase which I pinched from Handel and then I wrote my own tune. Hooliganism was a major, major problem and UEFA wanted to take the game into a completely different area altogether. In a 2013 newspaper interview, Britten stated that "I had a commercials agent and they approached me to write something anthemic and because it was just after The Three Tenors at the World Cup in Italy so classical music was all the rage. The anthem was written by English composer Tony Britten in 1992, adapted from George Frideric Händel's anthem Zadok the Priest, which is traditionally performed at the coronation of British monarchs. When you hear the anthem it captivates you straight away." UEFA's official website states, "the anthem is now almost as iconic as the trophy." Special vocal versions of the anthem have been performed live at the UEFA Champions League Final. The anthem is played inside the stadium before the start of each UEFA Champions League match, in addition to the beginning and end of television broadcasts of the games. The chorus is set to the exclamations " Die Meister! Die Besten! Les meilleures équipes! The champions!" The lyrics are in UEFA's three official languages: English, French, and German. It was also the official anthem of the UEFA Women's Champions League from its creation in 2001 to the 2021 creation of an independent anthem. The UEFA Champions League Anthem, officially titled simply " Champions League", is the official anthem of the UEFA Champions League, written by English composer Tony Britten in 1992, and based on George Frideric Handel's Zadok the Priest.
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